Bass said:
I drop a title when I realise that once I read an issue, I get pissed off and chuck it onto my shelf of rubbish. If I don't like an issue, I flick through it and see if I can really be bothered to pay for it. Very quickly, I stop picking up the title to even have a flick through.
Huh?:lol:
No, I get you. Just kidding. I have read issues of comics that made me pissed off, and have decided that, I don't know the whole story yet, so I pick up the rest of an arc (unless it's REALLY REALLY REALLY REALLY bad, then I don't). I did it with "Sins Past". I was ticked off with it by #512 (especially, but was ready to let go by then), but decided that it wasn't fair of me to comment on it until I knew the whole story.
Once I had the whole story and was sure it was all BS...buh-bye went ASM. I am attending a local comic-con here in SA in a week's time. I plan to carry a box-load of JMS ASM issues and try to swap them. Seeing as how his issues are in demand (especially the first ones) I should be able to swap them for some good stuff...hopefully some recent DC stuff or perhaps something else that's good.
Any recommendations?
Bass said:
So, basically, UXM and UF4 are completely on a "look at the issue in the store, properly, before paying for it" as opposed to "if it's in my box, pick it up and read it at home" policy of purchasing.
I've never tried that before. Mainly because I think it would take too much time. Anyway, I'll just avoid picking up any more UXM (Vaughan's last arc was really a great place to end seeing as how it all went down) and stuff.
Bass said:
Odd. I'm crying over what Loeb will do to the title, but really excited to see Joe Mad's art - especially Captain America and Hulk.
Well, you see, I'm also pissed about the angle Loeb is pursuing (i.e. the superhero-y angle), but I like Loeb's work (in theory anyway; I've never read Superman/Batman or much of his recent stuff) and it's not so much HOW Mad redesigned Wanda's costume, as much as it is that he had to at all! Which, I suppose, is more Loeb's fault than Mad's.
I liked my Ultimates as a government-sanctioned team of a-holes who wore what were essentially jump-suits! It's like that bit of a person's mind that just knows that "Constantine" would've been better if they got a blond-haired Brit to wear a saggy brown trenchcoat in London, instead of black-haired Keanu in a slick black leather coat...and he didn't even say "whoa"! :cry:
Bass said:
I did that ages ago. It just took me a little longer to follow through with it. I dropped New Avengers with #7 (nothing was going to make me interested in The Sentry or the so-called Avengers) and anything else that had Bendis' name on it followed...except USM, which, like i said before, was my only chance to view the ongoing adventures of my favorite literary character, Spider-Man.
Unfortunately for Bendis, he writes like crap, so now USM is gone too. I didn't even read "Silver Sable"!
Bass said:
and frankly, Millar as well.
He's become part of the machine now to the point where it's sickening. He's just another one of "Joe's Boys" like Bendis and Loeb and JMS and everyone else. I mean, Millar is writing "Civil War"...which we all know is based on a foundation of crap even though they won't admit it.
Millar used to be there for the entertainment. But now I've seen all his ticks and I'm tired of "Jeezus!" and "Holy Jeez!" and "moron" and "you little snot" and all that stuff. It's boring to death and it's gotten to the point where you can identify who's writing the comics even if you didn't read the credits! And, hey...you said it better than I did further on in your message:
"Millar's fascination with celebrity and politics ends up making his works as shallow as those societal institutions - which is a terrible irony"
Excellently put, Bass.
Bass said:
I thought his first Millarworld was atrocious...
Well, I think that, as good comics go, Millarworld was ludicrous. But as for entertainment value? Well, I love Millarworld! Except for "The Unfunnies", but that was because it was Millar without restraint. If you here what he's said in interviews (like the older one at fanboy radio) you know that he can get worse than he's gotten and has often had his collaborators tell him to "tone it down" a bit.
Bass said:
but see, Millar, Bendis, and JMS have all done works I'm immensely fond of. But they also seem to have completely lost whatever it is that made them so good in the first place.
I agree.
Bass said:
Millar's best works were his Superman stories, Authority, and The Ultimates. But everything else is mediocre to terrible because Millar's fascination with celebrity and politics ends up making his works as shallow as those societal institutions - which is a terrible irony.
I'll admit that I didn't read any Millar work before UXM because I didn't know he existed. For that matter, i didn't read many comics back then at all, so it's not so much anyone's fault there as it is just a lack of industry-related knowledge.
But I can see what you mean.
Bass said:
Bendis had some real good stories on USM for the first 20 or so issues, and Daredevil was brilliant up until around #60. Jinx was good, and so was Alias for a while. But Bendis' inability to write endings means that while his runs start well, he's incapable of finishing them effectively, and after a certain point, he tanks what he's writing.
I used to love Bendis' work, but its not just his inability to end stories, it's the fact that he doesn't understand good story structure. He forgets that just because HE knows how his stories are going to develop, it doesn't mean that the ride will be as gleeful for us as it is for him!
Case in point, the 616 and Ultimate "conspiracies". So far neither story is going anywhere and it's barely clear what parts of which stories even make up part of the 'conspiracy', yet he's been flogging the same poor, old, dead horse for at least five years in two alternate universes now!
But because HE knows what he wants to get to, and he enjoys writing in whatever goes with that ending, he feels its working. If his sales dropped then maybe his big inflated head would drop with it...in the meantime, it's pretty much "Bendis No More!" for me.
Bass said:
JMS has done Babylon 5 (a HUGE feat) as well as Crusade, his initial stuff on ASM was great, and so is Supreme Power - but JMS' desire for honesty as well as his stubborness seems to have him not only repeating ideas he's had before, but to also explain them to a point of banality, or worse, to take an idea he has and unrelentingly pursue it to the point of madness.
JMS is a damn good storyteller, but he is so into the repetition of story elements its not even funny. Particularly when certain story elements don't work. I didn't watch "Babylon 5" or read anything he did before ASM#30 (vol.2), and I wanted to pick up "Supreme Power" in trade, but when "Sins Past" came out I vowed never to read another JMS comic until JMS left "Amazing Spider-Man" and the spider-books as a whole.
So far everything he's touched at Marvel has been about retelling origins. He made Spider-Man part of a "wheel of fate"; he redid Dr. Strange's origin...and THEN he went so far with the FF's origin as to make Reed Richards the equivalent of GOD!!?!?!?!!!!?
What's worse is his stubbornness. I wouldn't mind if he did all this then said "hey, you guys didn't like it, that's okay. to each their own. some people liked it. lots of people bought it, and as long as that goes on i'll be here."
But instead he totally believes he's done NOTHING! Not "nothing wrong" but NOTHING! He says that he's examined the origins from a new perspective without changing anything!?!
How is having a Spider-God tell Spider-Man he was "chosen" NOT changing anything!? How is making Reed Richards the guy who planned the universe NOT changing anything!?
*takes deep breath*
JMS rant ended.
Bass said:
Shame, as these guys can write much better than what they're doing now.
Agreed.
*sighs*