Movies of 2010

Daybreakers - Really creative, constant tension, stacked cast, damn good film. Really liked what they did with the concept. 8/10

The Wolfman - This really could've been great, but a lot of the usual things went wrong. Insane amount of CGI, jump-heavy blockbuster scares without much atmosphere or showmanship to them, bizarre pacing, etc. I love a lot of Joe Johnston's stuff but I think he's just not a horror director. M. Night Shymalan could've done a great job with this. Every actor does very well though. Hopkins saves the whole film. 5.5/10

I just read that they cut 17 minutes from the final cut of the film for theaters because the studio wanted audiences to get to the first Wolfman transformation sooner. Joe Johnston's putting these back for the DVD, which I want to see.

Tim Burton's Alice In Wonderland - I think as entertainment this is pretty much critic-proof. It has a lot of the same problems with missed showmanship that Burton's Charlie And The Chocolate Factory had, but at the end of the day it's a fun tribute to Carroll's world packed with colourful, captivating visuals, a great cast, and a good old-fashioned fantasy quest element woven through which it's fun to see the well-known characters participate in. Where else are you going to be able to see
a Jokerized Johnny Depp using a garment mannequin to swordfight a one-eyed Crispin Glover?
6.5/10.

The Crazies - An interesting take on the Zombiepocalypse genre and an effective, suspenseful, scary film overall. Literally every second is suspenseful, never letting up. 7.5/10

Hot Tub Time Machine - Absolutely The Hangover meets Back To The Future, this was hilarious. With a little more effort they could've approached a BTTF level of changed-the-future emotion and satisfaction at the end, but it was still a borderline great movie. 8.5/10

Kick-Ass - Apart from a few details I would've changed, and maybe a different lead actor, this was so ****ing good. 9.5/10

Clash Of The Titans - This wasn't directed very well, and is one of the poorest uses of the 3D process I've seen yet. Worthington's still good, everyone was, especially Mads Mikilsen, there were some AWESOME moments(the whole
Medusa sequence
was probably my favourite part), and it benefits from the original story still being so good. In a lot of ways it's a great old-fashioned movie, but one of the most powerful feelings it elicted in me is still "appreciation for Peter Jackson". But I still enjoyed it. 7/10

A Nightmare On Elm Street - Barely scary and cluelessly directed, for the most part. But Haley is great and this film's story, and Freddy Krueger, are excellent and way, way more interesting than in the original. Some real horror direction, subtlety and scary imagery could've made the most of that story, but as it is this was still decent overall. 6/10

Iron Man 2 - This was amazingly engaging and entertaining, filled with captivating performances and some of the best effects-fueled action sequences in the whole superhero movie genre. The story parts didn't flow quite as well as in the first film, but the story was far bigger and more ambitious too, and in my opinion, worth that price. I loved every minute of it. 9.5/10

Ridley Scott's Robin Hood - Take Gladiator, mix it with 300, Kingdom of Heaven, and Beowulf and Grendel, now strip it of all the character, the spirit, the fun and the point. Pretty much. A "gritty reboot" of a character whose legend has been kept alive for a thousand years largely because of the merry, swashbuckling, fantastical elements was simply a bad idea. Crowe was great as usual and a potential sequel could really be something. This was not. 5/10. Ebert's review is spot-on.

Edge Of Darkness - I was basically expecting your usual Taken type of thing, but this was so much more(both plot-wise and overall quality). I forgot it was a Martin Campbell film until the end credits, but it's certainly up to his standard. Mel Gibson was amazing. 8.5/10

The Imaginarium Of Dr. Parnassus - This is vintage Gilliam. The only frustrating thing is that CGI has replaced his traditional models and clay, which used to account for so much of his signature brand of surreality. Nevertheless, this is a fine film with a great story, tons of excellent performances from an eclectic, amazing cast and the fact that Burton's Alice In Wonderland made like ten times as much at the box office is pretty much a disgrace. Oh well. This will endure where it counts. 9.5/10.

Shutter Island - I swear to god, I watched the first minute of the first trailer when it appeared, decided I wanted to see it and shut my eyes for the remainder of the trailer, and hoped that.... this.... wouldn't be how it ended. When the all the hype over "the twist" started popping up, I assumed that it couldn't be what I was thinking of. At yet it was. I don't know how "the twist" got any hype or acclaim. I barely even get how they decided to put up the effort to make the whole movie and seriously do that ending, let alone also drop rock-solid hints to it throughout. However, every single other aspect of the entire film, acting, directing, editing, cinematography, and most of all characterization and development, was so good that it's still totally worth seeing. Also,
the last line in the film is kind of a mini-twist in its own right and makes it a whole point higher.
8/10

Splice - The first great creature feature I've seen in a long time. Excellent effects drive a daring story, with really dark humour, solid leads and loads of suspense. Delphine Chaneac's "Dren" is hypnotic. I also was fortunate enough to see it with a great audience who was really into it, laughing and clapping at all the right moments. Anyway, recommended. 8/10

The Book Of Eli - Fallout 3 with Christianity instead of the American Dream. The main reason I was looking forward to this was to balance out the bleakness of The Road(a great film) and explore the more fun side of the post-apoc genre, but it was quite a bit better than I expected. It has a lot of the stuff I hate about religion and faith, but also stuff I love about the idea of God, and they explore it from different sides fairly well. The action was excellently stylized, but sometimes felt kind of out of place in this film. Gary Oldman and his character were excellent, and the musical score was my favourite yet this year.
Most surprising of all, I liked the ending way more than that of ''Shutter Island''.
An entertaining and powerful film. 8/10

If you get it on disc, make sure to check out the animated mini-comic about Billy Carnegie as a kid. More great music too.

Toy Story 3 - Aside from easily being the best film I've seen so far this year, and easily Pixar's best since The Incredibles, this can sit on the shelf next to 1 and 2 as one of the most amazing movies ever made. The twelve year wait made it even more special, and it's a good thing it requires 3D glasses at this point because I don't think there was a dry eye in the house at the end. I remember seeing 1 at age six and 2 at age nine(same ages as Andy) in the theatres as clearly as anything. Seeing 3 at age twenty was another one of a kind experience, and purely epic. 10/10
 
Toy Story 3 (Lee Unkrich) - *****
A fantastic conclusion to characters I have spent over a decade with. A film that is simultaneously epic, funny, touching and unforgettable. Flawless and the best film of 2010 so far.

Shutter Island (Martin Scorsese) - ****
A great cast, amazing cinematography and a haunting soundtrack come together to create an almost brilliant film… that is then undone by the inclusion of an unnecessary twist everyone saw coming.

Kick-Ass (Matthew Vaughn) - ****
Realistic superheroes are getting quite stale nowadays but this film manages to inject a little bit of fun and excitement into the genre. Big Daddy (Cage) and Hit-Girl (Moretz) steal the film and prevent it from being just an immature Spider-Man ripoff.

Youth In Revolt (Miguel Arteta) - ****
An unusual film about alternate identities and love at first sight which shocked me by turning out to actually be pretty good. Worth seeing for Michael Cera proving he can act in the form of badass Francois Dillinger.

Iron Man 2 (Jon Favreau) - ***
An entertaining superhero film that unfortunately does not stand up to its predecessor due to a number of underused and almost completely unnecessary new characters and a storyline which peaks halfway through.

The A-Team (Joe Carnahan) - ***
This film is all over the place yet still manages to be exciting; it doesn't take itself too seriously and the main four actors are having so much fun you can't help but join in.

Hot Tub Time Machine (Steve Pink) - ***
Obviously Back to the Future meets The Hangover (though not as good as either), if you get past the abundance of dick jokes you will find a few surprisingly touching moments.

The Losers (Sylvain White) - ***
Not as good as The A-Team but just as fun; the lack of a proper ending really hurts this.

Clash of the Titans (Louis Leterrier) - **
A poorly written script, a few good actors with not much to do, and lots of giant monster action come together to make a dumb but entertaining film.

The Book of Eli (Albert and Allen Hughes) - **
As opposed to The Road, this is a post-apocalyptic film with lots of potential that is wasted; Washington and Oldman are boring and the story is almost non-existent. However, unlike Shutter Island, the twist is actually the best part of the film.

Alice In Wonderland (Tim Burton) - **
Burton phones it in again – get Johnny Depp, an unusual fantasy world, and a gothic atmosphere and mix them all together. Boring, pointless and forgettable.
 
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Toy Story 3: 7.2/10 it was O.K., LOVED the ending ending
Killers 6.7/10 enjoyed this ALOT better than Date Night
Green Zone 8.3/10 the street fighting and everything almost felt realist

A-Team: 7.2/10 Stuff goes BooM
Karate Kid 9.3/10 Typical heartwarming story, nice progression. worthy of a sequel.
Date Night 6.1/10 One line funnies.
Shrek 4 3.4/10 its not funny anymore
Prince of Persia 8.7/10 read here
 
Get Him to the Greek: A-
Very good. I don't know if it was quite as good as Forgetting Sarah Marshall, but I have to say I kinda prefer it to the Hangover. Really funny. I think people will be surprised just how dramatic it gets a certain points. I felt the ending was quite moving personally. All in all some really good performances in a surprisingly good movie. P Diddy (name?) was unexpectedly funny and Brand proved he can be a really good actor.

Iron Man 2: B
I liked it a lot. It wasn't as good as the first one (which is the best Marvel movie yet), but it was good nonetheless. I really don't know what else I can add. I think think that Sam Jackson just seemed to be playing Sam Jackson with an eye patch. While I have heard criticism that the Avengers stuff seems forced, I really didn't get that impression. One thing I didn't like was the whole fight scene between Rhodey and Tony when he was wasted at his brithday party. Also, SHIELD did too much in the movie to solve Tony's problems...it would have been better if he stumbled upon his father's work on his own.

Robin Hood: B-
Not as bad as some of the reviews out there would lead you to believe. Just be warned that this really isn't your traditional Robin Hood, at least not until the final couple minutes of the movie. This is pretty much the Batman Begins of Robin Hood. I liked almost all of the cast, with the possible exception of Crowe as Robin Hood. He wasn't bad per se in the role, I just felt as though he looked a bit out of place. Maybe that's just my preconceived notions of who Robin Hood is coming into play. The guy who played King John was especially good in my opinion, as were the Merry Men. I did think that the final "epic" battle was a bit of a mess and seemed kinda anticlimatic. Overall not bad but far from great.

Alice in Wonderland: C+
It was...ok. It looked great and I thought that the girl who played Alice was great. The story just didn't pull me in. Also, I couldn't help notice that the score sounded like every other Tim Burton score I've heard in recent years.


Shutter Island: C+
I think this was one of the rare times when reading the book before the movie actually made me enjoy the movie less...and I actually thought that the movie was superior to the book, although I didn't like either all that much. The cast did a solid job across the board and the look of the island was great. Most of my problems are based in the plot. To me the big reveal at the end just doesn't seem realistic, and to a certain degree is evident from early on. All in all, not one of Scorsese's best.

MacGruber: C
This movie was really stupid, but it was also really funny. I'm torn as to how I should rate it.

The Wolfman: D
I was pretty disappointed by this film. The plot was pretty predictable, the Wolfman looked pretty ridiculous and the story was only so-so. Things I did like: Emily Blunt, the CGI transformations, the atmosphere and "look" of the film, all of the stuff in the asylum. After seeing the movie maybe they were smart to focus more on CGI, because the Wolfman that was obviously traditional makeup looked kinda ridiculous.
 

Knight and Day 8.4/10 it was a decent movie, some of the stunts were over the top, but what I really liked was the directing and editing of the movie. like drugging Cameron, and then showing snippets of action but not showing the action at the same time. And doing stunts like that in 70's GTO, reminded me of Bullet w/ Steve McQueen.
Jonah Hex 5.6/10 I don't know what it was, but there was just something about it, that made it suck.....if Robert Rodriguez had done this, it might 'a rocked.

Toy Story 3: 7.2/10 it was O.K., LOVED the ending ending
Killers 6.7/10 enjoyed this ALOT better than Date Night
Green Zone 8.3/10 the street fighting and everything almost felt realist
A-Team: 7.2/10 Stuff goes BooM
Karate Kid 9.3/10 Typical heartwarming story, nice progression. worthy of a sequel.
Date Night 6.1/10 One line funnies.
Shrek 4 3.4/10 its not funny anymore
Prince of Persia 8.7/10

edit: I was bored and on Box Office Mojo looking at All-time World Wide Gross Revenue ranking....... and did you know that as of now, Alice in Wonderland is ranked 5th, at its current pace it might even go to #3, now that's a shocker.
 
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A-

- Toy Story 3 -- This was a tough movie to grade. The first time I saw it, I grappled with the fact that I really didn't love it all that much. Although the second time around, it was much better. Though not a perfect movie by any means, in a weak year for film, it'll do. On the Pixar scale, it's better than "Toy Story 2" and "A Bug's Life," but that's it. Gorgeous animation as always, and a great voice cast, especially Michael Keaton as the metrosexual (and maybe gay?) Ken doll. I guess I'm in the minority here, but I didn't cry at the end, although it was incredibly moving. Teddy Newton's "Day & Night" short was worth the ticket price alone. I want a Lots-o'-Huggin'-Bear. And a Mr. Pricklepants. Pixar rules.

B+

- How to Train Your Dragon -- After last year's stinker "Monsters vs. Aliens," DreamWorks recovers with this short and sweet tale of Viking Hiccup (voiced by "Undeclared"'s Jay Baruchel) and his dragon Toothless. Craig Ferguson is terrific as comic relief, and the 3D flying scenes rival those of "Avatar"'s and might even be better. Not as good as "Kung Fu Panda" or the original "Shrek," but one of the better DreamWorks productions. You'll be wanting a dragon of your own after this one.
- Kick-Ass -- "Kick-Ass" kicked ass, and was even better than Mark Millar and John Romita Jr.'s brilliant comic book series in some ways. Chloe Moretz steals the show as Hit Girl and runs away with the movie. Nicolas Cage is great as Big Daddy, channeling Adam West and William Shatner, making it his second performance in a row (after last year's "Bad Lieutenant: Port of Call New Orleans") that doesn't completely stink. Also, I love that in the world in which "Kick-Ass" takes place, everybody watches "The Late Late Show with Craig Ferguson" at night.

B

- Shutter Island -- Top-notch acting, cinematography in Scorcese's latest. One of the rare films that, on a second viewing, is a completely different movie. But it's too long, and the twist too gimmicky. No "Cape Fear."
- Waking Sleeping Beauty -- This archival footage documentary, which takes you behind the scenes at the House of Mouse during Disney's Second Golden Age (1989-1994), presents the all too familiar tale of the Disney Wars between Michael Eisner, Jeffrey Katzenberg and Roy Disney. But it also spotlights the talented people who put together "The Little Mermaid," "Beauty and the Beast" and "The Lion King," and it's a delight to revisit such a well-loved period of time when the hits just kept on coming.

B-

- Get Him to the Greek -- After getting early scoop about this movie from Jason Segel (in March of '09) and Rose Byrne (in July of '09), I was really looking forward to this one. "Forgetting Sarah Marshall" is one of my five favorite comedies of all time, so there were definitely high expectations. Unfortunately, like all of this year's movies, it seems, "The Greek" was a bit of a letdown. The songs (co-penned by Segel) are a good time and the supporting performances (like Diddy's and Byrne's) are winning, but in the end, it's hard to make a movie about a heroin addict funny. (I bet you Jody Hill could, though.) When it comes to re-watching, I'll stick with sober Aldous Snow, thanks.
- Hot Tub Time Machine -- The title is the best thing about this movie. It's worth seeing (on DVD), but don't expect many laughs. Craig Robinson rocks out to the Black Eyed Peas in the film's most memorable sequence, and Lizzy Caplan is lovely (and really, when isn't she?) as a romantic foil for John Cusack. Chevy Chase and Crispin Glover steal the show from the main actors in bit parts.
- MacGruber -- Surprisingly funny! Will Forte needs to star in more movies (rent "The Brothers Solomon," stat). Best viewed with a group of friends and late at night. The Jorma Taccone-directed flick ranks high up on the list of Best SNL Movies (after "Wayne's World" and "The Blues Brothers," obviously).

C+

- Iron Man 2 -- While not a BAD movie per se, "Iron Man 2" doesn't possess the same qualities that made the first one so much fun and entertaining. I would have loved to have seen more of Sam Rockwell's Justin Hammer and less of Mickey Rourke's underwritten Ivan Vanko a.k.a. Whiplash.

C

- Alice in Wonderland -- The worst Tim Burton film I've ever seen all the way through. Mia Wasikowska ("In Treatment") as Alice was a great casting choice, however, and she does a lovely job.
 
Grown Ups: 7.9/10 a lot of funny one lines and short clips. loved the girl who played Adam Sandlers daughter just a cute little thing. [what do you mean theres no tooth fairy?] and there was a lot of "suggestive humor" if ya know what i mean.

Knight and Day 8.4/10 it was a decent movie, some of the stunts were over the top, but what I really liked was the directing and editing of the movie. like drugging Cameron, and then showing snippets of action but not showing the action at the same time. And doing stunts like that in 70's GTO, reminded me of Bullet w/ Steve McQueen.
Jonah Hex 5.6/10 I don't know what it was, but there was just something about it, that made it suck.....if Robert Rodriguez had done this, it might 'a rocked.
Toy Story 3: 7.2/10 it was O.K., LOVED the ending ending
Killers 6.7/10 enjoyed this ALOT better than Date Night
Green Zone 8.3/10 the street fighting and everything almost felt realist
A-Team: 7.2/10 Stuff goes BooM
Karate Kid 9.3/10 Typical heartwarming story, nice progression. worthy of a sequel.
Date Night 6.1/10 One line funnies.
Shrek 4 3.4/10 its not funny anymore
Prince of Persia 8.7/10
 
A-

- Toy Story 3 -- This was a tough movie to grade. The first time I saw it, I grappled with the fact that I really didn't love it all that much. Although the second time around, it was much better. Though not a perfect movie by any means, in a weak year for film, it'll do. On the Pixar scale, it's better than "Toy Story 2" and "A Bug's Life," but that's it. Gorgeous animation as always, and a great voice cast, especially Michael Keaton as the metrosexual (and maybe gay?) Ken doll. I guess I'm in the minority here, but I didn't cry at the end, although it was incredibly moving. Teddy Newton's "Day & Night" short was worth the ticket price alone. I want a Lots-o'-Huggin'-Bear. And a Mr. Pricklepants. Pixar rules.

B+

- How to Train Your Dragon -- After last year's stinker "Monsters vs. Aliens," DreamWorks recovers with this short and sweet tale of Viking Hiccup (voiced by "Undeclared"'s Jay Baruchel) and his dragon Toothless. Craig Ferguson is terrific as comic relief, and the 3D flying scenes rival those of "Avatar"'s and might even be better. Not as good as "Kung Fu Panda" or the original "Shrek," but one of the better DreamWorks productions. You'll be wanting a dragon of your own after this one.
- Kick-Ass -- "Kick-Ass" kicked ass, and was even better than Mark Millar and John Romita Jr.'s brilliant comic book series in some ways. Chloe Moretz steals the show as Hit Girl and runs away with the movie. Nicolas Cage is great as Big Daddy, channeling Adam West and William Shatner, making it his second performance in a row (after last year's "Bad Lieutenant: Port of Call New Orleans") that doesn't completely stink. Also, I love that in the world in which "Kick-Ass" takes place, everybody watches "The Late Late Show with Craig Ferguson" at night.

B

- Shutter Island -- Top-notch acting, cinematography in Scorcese's latest. One of the rare films that, on a second viewing, is a completely different movie. But it's too long, and the twist too gimmicky. No "Cape Fear."
- Waking Sleeping Beauty -- This archival footage documentary, which takes you behind the scenes at the House of Mouse during Disney's Second Golden Age (1989-1994), presents the all too familiar tale of the Disney Wars between Michael Eisner, Jeffrey Katzenberg and Roy Disney. But it also spotlights the talented people who put together "The Little Mermaid," "Beauty and the Beast" and "The Lion King," and it's a delight to revisit such a well-loved period of time when the hits just kept on coming.

B-

- Get Him to the Greek -- After getting early scoop about this movie from Jason Segel (in March of '09) and Rose Byrne (in July of '09), I was really looking forward to this one. "Forgetting Sarah Marshall" is one of my five favorite comedies of all time, so there were definitely high expectations. Unfortunately, like all of this year's movies, it seems, "The Greek" was a bit of a letdown. The songs (co-penned by Segel) are a good time and the supporting performances (like Diddy's and Byrne's) are winning, but in the end, it's hard to make a movie about a heroin addict funny. (I bet you Jody Hill could, though.) When it comes to re-watching, I'll stick with sober Aldous Snow, thanks.
- Hot Tub Time Machine -- The title is the best thing about this movie. It's worth seeing (on DVD), but don't expect many laughs. Craig Robinson rocks out to the Black Eyed Peas in the film's most memorable sequence, and Lizzy Caplan is lovely (and really, when isn't she?) as a romantic foil for John Cusack. Chevy Chase and Crispin Glover steal the show from the main actors in bit parts.
- MacGruber -- Surprisingly funny! Will Forte needs to star in more movies (rent "The Brothers Solomon," stat). Best viewed with a group of friends and late at night. The Jorma Taccone-directed flick ranks high up on the list of Best SNL Movies (after "Wayne's World" and "The Blues Brothers," obviously).

C+

- Iron Man 2 -- While not a BAD movie per se, "Iron Man 2" doesn't possess the same qualities that made the first one so much fun and entertaining. I would have loved to have seen more of Sam Rockwell's Justin Hammer and less of Mickey Rourke's underwritten Ivan Vanko a.k.a. Whiplash.
- Knight and Day -- Big, dumb fun. A rote action comedy from Tom Cruise and Cameron Diaz encourages you to turn the brain off and just enjoy the ride. And while I did, for the most part, what kept irking me was how unbelievably weak the screenplay was. It was nice to see Marc Blucas (Riley from "Buffy the Vampire Slayer") in action as a fireman. If only he had more to do.

C

- Alice in Wonderland -- The worst Tim Burton film I've ever seen all the way through. Mia Wasikowska ("In Treatment") as Alice was a great casting choice, however, and she does a lovely job.
 
Toy Story 3: A
Very good. There's not a lot I can find fault with in this movie. That being said, it never really pulled me in emotionally the way I expected it to, especially since I recently left for college and the first of these movies came out when I was a small child. I really do hope that this is the last of the Toy Story movies. The ending did a great job of tieing the series up. The cartoon short at the beginning of the movie was awesome.

Get Him to the Greek: A-
Very good. I don't know if it was quite as good as Forgetting Sarah Marshall, but I have to say I kinda prefer it to the Hangover. Really funny. I think people will be surprised just how dramatic it gets a certain points. I felt the ending was quite moving personally. All in all some really good performances in a surprisingly good movie. P Diddy (name?) was unexpectedly funny and Brand proved he can be a really good actor.
Iron Man 2: B
I liked it a lot. It wasn't as good as the first one (which is the best Marvel movie yet), but it was good nonetheless. I really don't know what else I can add. I think think that Sam Jackson just seemed to be playing Sam Jackson with an eye patch. While I have heard criticism that the Avengers stuff seems forced, I really didn't get that impression. One thing I didn't like was the whole fight scene between Rhodey and Tony when he was wasted at his brithday party. Also, SHIELD did too much in the movie to solve Tony's problems...it would have been better if he stumbled upon his father's work on his own.
Robin Hood: B-
Not as bad as some of the reviews out there would lead you to believe. Just be warned that this really isn't your traditional Robin Hood, at least not until the final couple minutes of the movie. This is pretty much the Batman Begins of Robin Hood. I liked almost all of the cast, with the possible exception of Crowe as Robin Hood. He wasn't bad per se in the role, I just felt as though he looked a bit out of place. Maybe that's just my preconceived notions of who Robin Hood is coming into play. The guy who played King John was especially good in my opinion, as were the Merry Men. I did think that the final "epic" battle was a bit of a mess and seemed kinda anticlimatic. Overall not bad but far from great.
Alice in Wonderland: C+
It was...ok. It looked great and I thought that the girl who played Alice was great. The story just didn't pull me in. Also, I couldn't help notice that the score sounded like every other Tim Burton score I've heard in recent years.
Shutter Island: C+
I think this was one of the rare times when reading the book before the movie actually made me enjoy the movie less...and I actually thought that the movie was superior to the book, although I didn't like either all that much. The cast did a solid job across the board and the look of the island was great. Most of my problems are based in the plot. To me the big reveal at the end just doesn't seem realistic, and to a certain degree is evident from early on. All in all, not one of Scorsese's best.
MacGruber: C
This movie was really stupid, but it was also really funny. I'm torn as to how I should rate it.
The Wolfman: D
I was pretty disappointed by this film. The plot was pretty predictable, the Wolfman looked pretty ridiculous and the story was only so-so. Things I did like: Emily Blunt, the CGI transformations, the atmosphere and "look" of the film, all of the stuff in the asylum. After seeing the movie maybe they were smart to focus more on CGI, because the Wolfman that was obviously traditional makeup looked kinda ridiculous.
 
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Twilight Saga: Eclipse: 7.5/10 Alot like the first two movies in style and everything. they hit all the major plot points, and this time you didn't need to read 200 pages before you got to a plot point. the fight was nicely done, gotta give prop to everyone that put that together. even though it was busy, you could still tell what was going on.

Grown Ups: 7.9/10 a lot of funny one lines and short clips. loved the girl who played Adam Sandlers daughter just a cute little thing. [what do you mean theres no tooth fairy?] and there was a lot of "suggestive humor" if ya know what i mean.
Knight and Day 8.4/10 it was a decent movie, some of the stunts were over the top, but what I really liked was the directing and editing of the movie. like drugging Cameron, and then showing snippets of action but not showing the action at the same time. And doing stunts like that in 70's GTO, reminded me of Bullet w/ Steve McQueen.
Jonah Hex 5.6/10 I don't know what it was, but there was just something about it, that made it suck.....if Robert Rodriguez had done this, it might 'a rocked.
Toy Story 3: 7.2/10 it was O.K., LOVED the ending ending
Killers 6.7/10 enjoyed this ALOT better than Date Night
Green Zone 8.3/10 the street fighting and everything almost felt realist
A-Team: 7.2/10 Stuff goes BooM
Karate Kid 9.3/10 Typical heartwarming story, nice progression. worthy of a sequel.
Date Night 6.1/10 One line funnies.
Shrek 4 3.4/10 its not funny anymore
Prince of Persia 8.7/10
 
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Just saw THE MEN WHO STARE AT GOATS, which was kinda funny, and UP IN THE AIR, which was wonderful.
 
Nigma gave Eclipse .3 more than Toy Story 3.

I can't come into this thread anymore.
 
Datenight -- C+
Greenzone -- B
How to Train A Dragon -- A-
Iron Man 2 -- A-
Robin Hood -- B-
Toy Story 3 -- A

==== (on DVD)====
Edge of Darkness -- C+
The Book of Eli -- B-
Umm, I guess it was pretty good. I was expecting to like it more though. I think that kind of stylized cinematography (especially the stylized violence) is lost on me, I don't really like it.
I did like the juxtaposition of Denzel's and Gary Oldman's characters - One is a simple man that recognizes the good things he has come from God and he lives his life trying to serve that God as best he can, which he admits he doesn't do well all the time. The other is a terrible man after power who knows from history that religion can be used to control the masses. I think that juxtaposition does a pretty good job of showing the difference between faith as God intends it to be and religion as man has used it. I also just think that Gary Oldman is one of the best actors around; mostly because I never realize it's him until half way through the movie. He plays his parts so well that I don't recognize him.

I was bothered when
they placed the Bible on the shelf at the end of the movie next to the Torah and the Qu'ran.
The symbolic intent of that shot was clear and, my beliefs aside, (and really, I'm trying not to just be a narrow-mined Christian here in regards to the movie - but I'm unapologetically narrow-minded about the importance of the Bible in real life) it just seemed to defeat the purpose of the movie to spend almost two hours talking about how special this book is, suggesting that Eli was given a mission from God to protect and deliver that book and supernaturally protected until he completed that mission, only to symbolically place it on same plane as other religious books at the end.

By the way, Eli is Hebrew for "my God". Just FYI.
 
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I was bothered when
they placed the Bible on the shelf at the end of the movie next to the Torah and the Qu'ran.
The symbolic intent of that shot was clear and, my beliefs aside, (and really, I'm trying not to just be a narrow-mined Christian here in regards to the movie - but I'm unapologetically narrow-minded about the importance of the Bible in real life) it just seemed to defeat the purpose of the movie to spend almost two hours talking about how special this book is, suggesting that Eli was given a mission from God to protect and deliver that book and supernaturally protected until he completed that mission, only to symbolically place it on same plane as other religious books at the end.

I kind of agree cause the whole thing is "This book is so important, it can teach blah blah blah" and you already had two others why need a third?
 
Nigma gave Eclipse .3 more than Toy Story 3.

I can't come into this thread anymore.

like i said TS3 was an O.K. movie. there was nothing really new. it was the same story of "gotta get back to Andy" with alot of the same moves as the first two. for Twilight, it was the small stuff that worked. the kid that plays Jacob has really got his timing down.
 
I was bothered when
they placed the Bible on the shelf at the end of the movie next to the Torah and the Qu'ran.

That strikes me as the stupid decision of someone realising that they've made a movie exploiting a single religion for profit and 'artistry' and are terrified of being called 'racists' by excluding others. So they just show the others and go, "Hey! Christianity is just like all the rest."

And except for the vast cultural differences surrounding these three religious texts, I suppose they'd be right.

Still though; those are the only three religions in the world. Sikhism, Buddhism, Shintoism, and Hinduism (there are more Hindus than Jews in the world) obviously don't count, and if they get upset with not being considered by Hollywood they can **** off. Nonwhite religions don't count. Unless it's Islam, but that's only because they might bomb us. And Christianity and Judaism are white because they originated in the Middle-East by brown-skinned people but grew up and settled in Rome and New York or something.

:sick:

This is what I hate about political correctness and trying to appease everyone; it's usually more bigoted than actual bigotry.
 
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And Christianity and Judaism are white because they originated in the Middle-East by brown-skinned people but grew up and settled in Rome and New York or something.

I used that very line about two days go with some idiot.
 
The idea that they didn't include EVERY RELIGIOUS TEXT EVER and are thus discriminatory is faulty because the entire
Alcatraz library
was a work-in-progress, so there are probably dozens of other adventures still going on out there in the world to get them. You're basically saying that they would have had to already acquire thousands of different texts and Christianity was the last one, which would be a strain on the plot.

As far as I'm concerned the Torah, Qu'ran and the others were there to represent the many other religions of the world in a concise, visually accessible way. Showing thousands also would've kind of stressed the idea of each being "just another religion, same as the rest", when there's no doubt in my mind that the intention of that shot was to show that they're all special, not that none of them are.
 
Who are you responding too, Planet-Man? "You're basically saying that they would have had to already acquire thousands of different texts and Christianity was the last one, which would be a strain on the plot." - this is in reference to who?
 

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