DARKKNIGHT said:
I mean I understand the point about him fixing the autopilot, but I also thought it showed him in the cockpit with only seconds left on the timer. What I'm saying is that he still would have been within the blast radius of the nuclear bomb. That may not be true though. After thinking about it, my initial reaction may have been a shade too harsh. While I think it was the worst of the trilogy, it was still very good. I think I'm going to have to see it again to get a better grasp.
You may be right about there only being a few seconds left. I'll also have to rewatch it (no arm twisting needed).
And it did have it's problems: the generic doomsday device, for one. The cliched revenge motivation for the villains.
But I honestly felt it did a great job of overcoming it's shortcomings and delivering the most emotional range and impact as opposed to the previous two (TDK's main emotion was depression, which fit the tone and plot so I'm not complaining--I love that movie).
TDK as I said really is a better film, but Rises had a hopefulness that even Begins ending couldn't match (and shouldn't have, since Rises us the end), and TDK went a completely different direction, again as it should have.
I guess I was just elated at the little nods to Batmans history (remember the line about the cop not wanting to go into the sewers because "what if there's a giant alligator"--Killer Croc reference for the win). The Robin reveal at the end was great, and set in motion a sort of "Robin/Nightwing Begins" situation as a parallel to the first film. I loved Hathaway's dry delivery of her lines and competence. I loved the few emotional moments between Alfred and Bruce, especially Alfred conveying his hopes for Bruce's future (which is realized at the end). Corny, maybe, but it worked for me.
After the ending on the drive home I had a huge grin on my face, and couldn't go to sleep due to the pure overload of awesome I got from the flick.
So yeah, the movie critics may not like it as much as TDK (fairly so), but some of the harsher reviews I've read are just a perfect example of a critics inability to recognize the audience certain films are made for. After all, if every movie was a critical darling art-house film, there wouldn't even be a movie industry because most normal folk, ie, those of us without a Masters in Film Theory, wouldnt spend $10 a ticket to see those art house films.
Yes, Rises had it's issues, but overall I was entertained and happy with the end product. I doubt it'll hold up as well in subsequent viewings, but that's ok. This trilogy as a whole and as it's individual parts was altogether amazing.