When did it start being "in" to hate on bendis without any logical reason.?
Who says there's not a logical reason? Bendis is capable of strong writing but as his star power has risen and he's juggled more and more books at a time, he seems content to have gotten a big head that prevents him from seeing his flaws and growing as a writer, and his weaknesses have bubled more clearly to the surface. IMO, these problems are grossly apparent in his x-books.
There's a lack of distinguishing voice between his characters, who all have a tendency to speak with the same rhythm. He uses this cadence as a crutch, and where it was once a vehicle for clever writing and as a means to convey story without being too expository, it's now more often than not an excuse to fill space. Someone compared his writing as a good fit because X-Men is "soap operatic", but the strength of the best soap operas is that they substitute a plot-driven approach for intensive characterization spread over a large canvas. That's largely absent here.
But more problematic, for me, is that there isn't rhyme or reason to the plot that is there. Things happen because Bendis wants them to happen, not because they make sense in the context of the universe he's created. Case in point being Mystique, a villain who can literally transform into anyone she wants to, and as such, has any number of clever means to become rich beyond her wildest means. But her solution is to infiltrate America's most highly guarded supermax prison, designed explicitly for supercriminals and break a villainess out. Despite them having technology readily available that allows them to verify anyone's identity and despite the fact that she arrives in disguise with no warning and no identification, the highly trained guards at the world's most secure facility just let her right through. And puzzling beyond that, her grand scheme is to then turn around and attack those highly trained and numerous guards as soon as she breaches the perimeter. All of this to enact her grand scheme of breaking out a master illusionist so, together, they can rob security trucks. Seriously, a woman who can become anybody (and, say, walk into a bank disguised as the owner or a wealthy client and withdraw any number of funds?) and a woman who can create detailed and entirely believable hallucinations scheme to knock over brinks trucks. It's childish storytelling that doesn't make sense even upon surface examination, and he's a writer who's capable of so much more.
kdlt said:
Give me bendis over most mainstream writers and ALL indie writers all day.
Now
that's ridiculous.