I was rethinking the ending of Promethea recently and I realized something. People always seem to be slightly disappointed by the last issue. It just seems like a recap, and they wanted something final. They wanted a conclusive ending.
Most people do. Most stories have conclusive endings because they are generally more satisfying. A lot of 'artists' like to give open-endings and think they're smart, but what they don't get is that open-endings, unless done extremely well, are cheap cop-outs. Generally, a closed-ending says, "This is what this story is about" and an open-ending says, "This is what this story is about for you", because you conclude the emotional ending yourself. This is extremely hard to do well, and it more than likely ends up, "You come up with the ending", which is just crap.
Promethea does a very good ending, but it is not a popular type of ending. Not because it's wrong, but because most people don't like that kind of thing. It's like Invader Zim in a way - that show never had a chance. It was a black comedy, sci-fi cartoon, for adults. The audience for that kind of show is small, regardless of the quality of the work in the show.
But Promethea doesn't give you a conclusive ending because you're reading a story about the beauty of existance, and that beauty never does end. Promethea tells you at the end that the story might be over, but she's always there and your dance with her is never going to stop. The story of Promethea is your story, and that story doesn't have an ending.
Very nice.
See, the comic book medium may have actually been the best possible medium for this type of story. It allows for the story to actually transfer a lot of memorable information to you, while doing it in an an attractive and dazzling way. It's being taught something and being shown a beautiful peice of art at the same time.
I agree, but most people wouldn't even conceive it a possibility. I've sat down and thought about it - it's not reproducable in terms of film or radio. There is far, far too much in the comic that just can't work. The entirity of #12 for example, can't be filmed. If one were to attempt it, it would require a vast undertaking to adapt it effectively.
But this is the case for virtually everything Alan Moore has done, but the filmmakers don't get that and treat his comics like storyboards or pitch ideas.
Seriously... League of Extraordinary Gentleman is a slam dunk. How much did those guys have to suck to **** it up?!
It definitely changed mine.
But I wouldn't say that to someone who I wanted to read it. If you tell someone it'll challenge their views and/or change their life, their defences are up before they crack open the first page. The comic actually breaks down those defences in a progressive manner, continually disrupting your unconscious view of reality to make you feel the world (in the same way a horror film scares you), but if you tell people that in advance, that it seeps into your consciousness, they'll instinctively fight it. What's worse - they'll be expecting such a change, and they'll miss everything waiting for the 'big change'. The term, "It changed my life" is just too loaded and it will make the next person to read it bring too much baggage to the reading with them, so I never say it. I just tell them that's it's a sublime beauty and worth reading - but's it's very dense and lecturing and if you're not up for that, don't do it.
But goddam, it's a beautiful comic.
Promethea appears completely nude on every single page of the last issue.
Slut.